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In teacher Di Jullo's works the movement and the action remain suspended,not directed towards a possible and predictable movement. The figurative mastery is pushed over the evocation of the represented movement's mechanical continuity. Teacher's irony starts from here when he figures his horses:the in suspension horse is like athlete's concentration to the departure blocks seen with fate's irony:the shoot can both make to jump forward whether to collapse to the ground. His horses are able to fix the soul,the substantial origin,movement's biology through an unstable dynamic equilibrium that is a pulsation or a breath.At home teacher Di Jullo's pictures transport…
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Endowed artist with strong sensibility,intelligence,creative sense,transmits in his pictures,his essential lines,in the variegated tonalities of colors a so alive and dense microcosm of love,now ieratic,now unbridled and sensual,now mixed of abandonment and loneliness. Just like to bathe himself in a past,we perceive in his works voices,figures,colors,moments of life all which resound ancient myths,religiously preserved in the intimate of his character.Female figures are unfolded in his cloths like images out of time and place;contours that delimit the space don't exist,but in almost fluctuating and ethereal atmosphere are impressed with rough strength,legs,breasts,bodies,profiles all woven by an only dynamic action that closes the…
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Roberto Di Jullo,in his long artistic militancy,has never forced the reality to the shipwreck as it happened for big part of the avant-garde.The dearest subject to him,that of the horses,for which his friend Alberto Sughi has spent beautiful words,I think it is opportune to notice as they move with a circular dynamism,completing the symbolic germinative transfert inherent the ovoidal fabulation;besides the figures allow a stage pagination like if they were actors that recite a theatrical part that,in base to the postures of the animals,often to the back capsized,it will be dramatic. The perspective evidence projects on the background of the…
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At the origin,before all the complications and dismays,Teacher LEONARDO wrote that 'the painter paints himself',that he takes back teacher Dante's dizzy intuition:"no painter could set some figure if,intentionally,we didn't first do such and what the figure to be goddesses.And it can seem,this is my way of start,the most arbitrary to complicate a such 'natural' painter like the friend Roberto Di Jullo, a pleasant and immediate readable painting,just like his painting and handwriting that tames an ancient world of women and horses and gives it to the less snobbish amateur of art.But the sense of that start below the apparent complication…
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It's rare,today,to see an artist that submits himself to his own talent;an artist that,believing in his own experience,pursues his own poetic destiny. It's rare because the tyranny of information and the spread of techiques and mechanical and photographic supports end up compressing the personality of so many painters that seem to be flattened in an oppressive ritual.It has been for deep satisfaction to recognize in Roberto Di Jullo's work the sign of the passion and independence that I esteem fundamental and irreplaceable qualities so that a painter can become a true artist.The sketches of the horses strike for the ability…

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  • Pietro Cimatti
    At the origin,before all the complications and dismays,Teacher LEONARDO wrote that 'the painter paints himself',that he takes back teacher Dante's…
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  • Giuseppe Perrella
    In teacher Di Jullo's works the movement and the action remain suspended,not directed towards a possible and predictable movement. The…
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