Engraving

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The incisions condense on a metallic plate the experience of the original graphics.Like a draw to ink or pencil through a series of tecniques (as the etching,acquatinta,the dry point and so on...) the incision succeeds in allowing with the production of more exemplary of the same plate (zinc or copper) the diffusion of more works at cost lower than an original.

The etching is,perhaps,the most common technique,certainly the most versatile for the expectations of those that practice and know it.It is drawn with a point of metal on the prepared to wax plate and the incision (morsura) happens in a solution of water and nitric acid (at 7 or 10%) from which derives the name ACQUA RINFORZATA (Strengthened water).

The dry point,instead,the most difficult technique.It's realized with a steel point,scratching with more or less pressure in the ductility of the metal.Without the help of the water and acid (dry),therefore "PUNTASECCA".The incision inludes other techniques as the ceramolle,acquatinta, bulino,maniera nera,linoleography,xilography and so on.

By photomechanical supports,actually,we can produce,easily and seriality,the common "serigraphies",lithographies and other astuteness that today invade the market of the art.

 

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